"That Great, Mysterious Play"
"A great play of mysterious subjects...something that we, as Filipinos, may be proud of." - this is how I would describe Steven Patrick Fernandez's "MingMing: A Play of Hide and Seek". It was my first time to witness an informative but mystifying play, and I got very interested to find the real thing behind of it.
As I entered the room, I've seen that the play started just after I closed the door. Immediately, I find a seat near to the stage where the two creatures of "life after death" were noticeably laughing. They seems to bother me in a way that they keep on laughing and extending different body movements. My mind where filled with questions, asking what was really happening to the plot. Finally, they walked through the stage and released the covering cloth where a dead women body was lying on. And the real story goes on.
I found out later, with an open forum held just after the play , the whole story and what it really talks about. The production is a sensitive dramatic play of powerful political Muslim families in the south. The story revolves on MingMing's identity, her family roots, and their dominant traditions and religious beliefs and clashes. Three generations were presented in the drama, with their controversies to survive and cope up conflicts of religious fanaticism, tradition, and a modern living issues.
At first, tonongs, the spirits who lift the shroud of death of MingMing, witness the affair and struggles of human life and madness. They are mischievous creatures, carefree and playful which in the end, uncover the hidden secrets and crises of the said generations. They were laughing with no particular reason, at everything or at nothing.
At the stage, three figures, one male and two females, were sitting on a table, not doing a motion, and their blank faces lost of emotions and feelings. They were MingMing's relatives. The younger woman named R is MingMing's liberated mother, having two failed marriages.In addition, MingMing is the product of a love developed between her mother's affair with an Economics professor in a university at Manila. It brought R to kept her pregnancy to hide the shame of the family honor. On the other hand, the tradition-reared woman named I is MingMing's grandmother. She was subjected to a family decision in marrying a man he doesn't know at all in orded to end a bloody rido ( family feud) which is happened to be the elder brother of the bearded man named P. He is a leader of in troop and adopts in strictly following family as well as religious views. However, their names may be read as R, I, P, respectively.
Covered with a romantic plot, the message of the play extend to Moro history, politics, religion, and woman-related issues. The story gives a non-formal structure and manner. The images, sounds, and other symbolic actions used were a some kind of piece of a puzzle of resolutions. The language were unique; dialogues do not meet. There is no coherence in terms of conversation. The characters do not even talk to each other and lines overlap and crisscrossed without unification. Time reference also adds confusions to the audience because the characters of the whole play were separated in different time but grouped to a same stage.
Whatever what the play conveys, there is always a suspense whenever I want to get back on the play. It begins in the end and left queries that only viewers will satisfy answers.There is a sense of mysteriousness in each characters and the message they try to impart. For me, it gives more questions than answers. In the end, it is a great, unforgettable play and indeed one of a kind!
Froi Edrian V. Bebit
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